Quick Summary: Young or old, Stick It To The Man, and go and see the feel good, uplifting and energetic School of Rock.
School of Rock is an adaptation of the 2003 comedy film of the same name starring Jack Black. The musical is written by Andrew Lloyd Webber (composer), Julian Fellowes (playwright) and Glenn Slater (Lyricist), and is currently showing at the Gillian Lynne Theatre in Drury Lane, London.
T H E S H O W
I first saw this show earlier this year, and alongside the ingenious fusion of rock, musical theatre and classical music influences, it was the vivacity and youthfulness of the cast that really stood out to me. I got the opportunity to take my Dad to see the show yesterday, and I knew he would love it simply because of the music; the show is saturated with nods to great rock songs such as Smoke on the Water, Satisfaction, as well as the rock concept album The Myths and Legends of King Arthur and the Knights of the Round Table.
The thought that my Dad actually came away from the show with went beyond noticing the obvious witty and comically written play, and great integration of well-known and loved music into the score. The overriding feeling that you get coming away from this show is one that is relevant at any and every stage of your life: don’t get tied down by other people’s limiting beliefs. This can be from something as small as whether you read Vogue or Sports Illustrated, as Billy has to choose, or as big as whether you compete in Battle of the Bands or not. The positive message of “You Do You” is woven tightly throughout the whole show.
The only reason I gave this show 4 stars as opposed to 5 was that by the end, I did start to feel quite tired. I was sitting 4 rows from the front (I talk about ticket details later on), and so the noise levels were high throughout. HOWEVER, this is a tiny, tiny point and generally did not detract from the experience.
T H E C A S T
Obviously, if you are going to see School of Rock then you are expecting a bunch of talented kids – and I can tell you, they do not disappoint! With cheesy over-acting thrown out of the window, the child cast of this production provides stellar vocal performances mixed with a convincing awareness of themselves and what they are trying to say. The harmonies in songs such as ‘Horace Green Alma Mater’ and ‘If Only You Would Listen’ highlights their cohesion and commitment.
I could not write a review on School of Rock without mentioning the musical talent of the kids in this production that I feel is unmatched on the rest of the West End. As Andrew Lloyd Webber announces over the loudspeaker at the beginning of the show, the children play all of their own rock instruments. The best moment in the show to demonstrate this is in the final song where the pit musicians all stand up and watch the show alongside the audience, as the children in the show alongside their mentor fake-teacher Dewey Finn rock their way through ‘Stick It To The Man’ and ‘Teacher’s Pet’, full of guitar, keys, drum and bass solos, bringing the audience to its feet. The musicality and finesse in their playing is professional in its standard.
The standout vocal performance came from the shy but brilliant vocalist Tomika, played by Fayth Ifil, who performed a rendition of Amazing Grace full of innocence and killer riffs to prove she can sing, which induced a thunderous applause from the audience. Also highly notable was the bossy and indignant Summer, played by Freya Yates, who was very impressive in her ‘Time To Play’, hitting a belted Db at the end of the song.
Among the adults, both Craig Gallivan (down-and-out amateur rock star, Dewey Finn) and Rosanna Hyland (music lover turned uptight Headmistress, Rosalie Mullins) had fantastic performances. Rosanna Hyland’s ‘Where Did The Rock Go?’ was full of emotion, bite and effortlessly clear top notes. Her rendition of Queen of the Night was unassuming and highly enjoyable. Craig Gallivan’s Dewey Finn was hopeful, uplifting and unfailingly energetic, all matched by his perfect diction and fantastic voice.
Side note, the cast is changing on 22 August. Details can be found here
T H E T H E A T R E
As far as the theatre itself goes, the Gillian Lynne Theatre is modern, spacious and well designed. No matter what seat you go for, you generally won’t get a bad one as the stage is so wide that you can see from most angles. From the furthest to the side in the front row, you will see the whole width of the stage, albeit with a few missing spots deeper into the set. The seating at the back of the stalls and the upper circle is well rigged so that you can easily see over the people in front of you, and don’t have any of those “back-of-the-head” viewing moments.
T I C K E T S
The prices for this show are fairly reasonable if you are savvy when buying your tickets, and the show is absolutely worth the price. If you buy in advance (and maybe get matinee tickets) then you could easily spend a maximum of £35 a head in the stalls, which for a West End show is pretty good – I was seated 4 rows from the front with excellent views in seat D52, on a Saturday matinee performance for £35 per ticket.
The School of Rock website tells you the best dates with the best prices, so this is a great website to use. Also don’t be afraid to be seated slightly to the side of the theatre, as the view is very rarely compromised!
Top tip: if you are over 5’4″, then a great cheaper ticket to get is in the front row of the upper circle. It is advertised as ‘restricted view’ because of a barrier and lighting rig that hangs over the front of the upper circle, but for anyone over 5’4, this does not obstruct at all, and the leg room is great!
If you’ve seen School of Rock, share your experience either in the comments or on our Instagram page!