Quick summary: Giving ‘Crazy Cat Lady’ a whole new meaning.
Try this series if you like: DC Comics (obvs), Cassandra Clare, Daniel José Older, Richelle Mead
In this rewrite of DC’s Catwoman, we are re-introduced to the badass anti-hero Selina Kyle, and her ‘band of merry men’, Harley Quinn and Poison Ivy. We also meet Luke Fox as the ex-military do-gooder, Batwing. Full to the brim with high-stake heists, romance, allies and enemies, this stand-alone book is good for hard-core fans and comic book rookies alike.
The world-building in this story happens quickly. Within the first few pages we are introduced to the teeming, corrupt underworld where Selina Kyle spends most of her life. We learn about the social hierarchies and some of the basic politics of Gotham City but are expected to fill in the gaps ourselves as far as societal culture goes. When it comes to feeding the reader information about the world, it is more ‘tell’ than ‘show’; for example, we find out that Selina’s sister Maggie is very ill, but instead of finding this out through clues such as her coughing, or taking medicine, Maas writes “with her mother gone and her sister sick, no legit job could pay as much or as quickly.” This does the job, but I would have liked a teeny bit more subtlety.
As far as the characters go, they are interesting and reasonably well-developed. Selina Kyle has an interesting storyline; a female anti-heroine who is interested in protecting the people she loves, but ultimately has no qualms over committing high-level crimes. She is cunning, wily, an excellent fighter and adept at having secret plans that aren’t revealed until late in the novel – Maas’ forte, it seems! Her secretive personality complements the brash insanity of Harley Quinn and the stoic, green-fiend Poison Ivy well, and overall I found her character to be an enjoyable and pleasing read.
Some reviews make the comment that Luke Fox is only present in the book to give Selina a love interest, and, as a black character, to add diversity to the cast. I did not find this at all. I read him as a man struggling to keep control over his PTSD, Gotham City while Batman is away, and his growing feelings for someone he really should not be feeling things for. He frequently commented on police brutality against the black community, and this did add a good dimension to the book as there was the antithesis of him being targeted by law enforcement for his skin colour and yet he is the one protecting the city from criminals. I found it ever so slightly basic in its delivery; it was similarly more ‘tell’ than ‘show.’ This is not, however, a criticism of Luke Fox as a character – I liked him, I saw his good intentions, and although he was a bit vanilla, he complemented Selina’s character well.
Ultimately, I really enjoyed reading this book, and I got through it quickly. The plot, world-building, eand characterisation were arguably not anything jaw-droppingly special, but they held my interest, and I was invested in what happened. For both A Court of Thorns and Roses and Throne of Glass (Maas’ series,) I found that while I enjoyed the first book, the later books in the series were where I became truly captivated. Perhaps Maas’ writing is like cheese or wine – it is good at first, but it gets really good over time. If we were to have a series made out of this, then I might fall head over heels in love with it, but as it stands, I love it as you might love a close-ish friend. You’re not my family, you’re not my soulmate, but I get on with you and I’d hang out with you again.